Download the guidebook of Habit-co-Habit Pune Biennale 2017
Yona Friedman, Self-help housing, 2017. Construction in bamboo, based on Friedman’s instructions manual, Roofs. With the collaboration of students and faculty from five colleges of architecture in Pune. Courtesy: the artist, collaborators, and Pune Biennale 2017.
Talk Everyday Spaces, under the Yona Friedman’s canopy, Phule Museum.
Phule Museum view. On the left: Amol Patil. On the right: Sanket Jadia.
Amol K Patil, Stagnant, 2017. Dust objects. Courtesy: the artist and Pune Biennale 2017.
Sanket Jadia, Coagulated Anomalies, 2016. Acrylic, terracotta, printed matter. Courtesy: the artist.
Shubigi Rao, The Great Book Within Which We Write our Names, 2017.
Installation (Local flora, scavenged objects and failed utopias). Courtesy: the artist and Pune Biennale 2017.
The Infinite Library (Daniel Gustav Cramer and Haris Epaminonda), 2007- ongoing.
Interventions on found books. Courtesy: the artists.
Tomás Saraceno, Library of Web Cosmologies, 2014-2016. Xerox prints on paper. Courtesy: the artist.
Rupali Patil, An excitement burning with a cold flame (project for a hoarding), proposal refused, 2017.
Photoprint. Photo credit: Sagar Shinde. Courtesy: the artist and Pune Biennale 2017.
Smita Rajmane, from left to right: Jambulwadi (Layers inner and outer), Teen Hatti chowk, Search. Oil on Canvas, 2013. Courtesy: the artist.
Amol K Patil, Transformer, 2017. Etching on glass with light. Courtesy: the artist and Pune Biennale 2017.
U-ra-mi-li, Opacity, 2017. Video. 40’. Courtesy: the artists and Pune Biennale 2017.
Daniel Gustav Cramer and Henry Andersen, Liepnitzsee, 2016.
Booklet and poster. Courtesy: the artists and Pune Biennale 2017.
Shilpa Gupta, 100 Hand Drawn Maps of India, 2007-2008.
Single channel video projection, table, no sound, 3’42” loop. Courtesy: the artist.
Jimmy Chishi, Those who sing lullabies, 2017.
Shadow puppets, Bunraku-style puppets, and masks. Paper, acrylic polycarbonate, bamboo, wood, leather, and metal wire. Courtesy: the artist and Pune Biennale 2017.
Nikhil Raunak, Little Gestures, 2017. Mixed media. Courtesy: the artist and Pune Biennale 2017.
Susan Philipsz, The Three Songs, 2015.
Four-channel sound installation, 2’ 43’’. Courtesy: the artist, Galerie Isabella Bortolozzi, Berlin and Tanya Bonakdar Gallery, New York.
Marcello Maloberti, Vir Temporis Acti, 2003-2017.
Performance. Cut-out illustrations from books, scissors, performer. Courtesy: the artist.
Sarnath Banerjee, The Poona Circle, 2017. Drawings on history textbooks, mounted on desks. Courtesy: the artist and Pune Biennale 2017.
Sanket Jadia & Mario D’Souza, Trapezium, 2016.
Live-action board game, archival print on paper. Courtesy: the artists, Khoj International Artists’ Association and Pune Biennale 2017.
Marinella Senatore, Protest Bike (Pune), 2017. Customised bicycle, sound, mixed-media. Courtesy: the artist and Pune Biennale 2017.
Shubigi Rao, The Great Book Within Which We Write our Names (working title), 2017.
Local flora, sewer frames, leftovers and failed utopias. Courtesy: the artist and Pune Biennale 2017.
Shubigi Rao, The Great Book Within Which We Write our Names (working title), 2017.
Massimo Bartolini, Audience for a tree, 2016.
Iron, wood, lights, performer. Courtesy: the artist, galleria Massimo De Carlo, Milano/ London/ Hong Kong, and Pune Biennale 2017.
Shilpa Gupta, Deep below, the sky flows under our feet, 2016.
Site-specific neon lights. Courtesy: the artist and Pune Biennale 2017.
Natak Company, Poems of the city, 2016. Dramatic performance with musicians. Approx. 20’. Courtesy: Natak Company and Pune Biennale Foundation.
Tushar Joag, Karma Crisis, 2017.
Multiplayer interactive installation. In collaboration with Himanshu Bablani. Courtesy: the artist and Pune Biennale 2017.
Marcello Maloberti, Kolossal, 2017.
Boom lift, palm and brass band. Installation and performance. Courtesy: the artist and Raffaella Cortese gallery, Milano, Pune Biennale 2017.
